I've given in and joined the Twitter crowd. Even if you don't have your own Twitter account (if you do, I'd love if you'd follow me), popping by to check out my account every once in a while will keep you up-to-date with new songs I'm listening to but either haven't got around to writing about yet or bits of news that feel too short for the blog. Lately I've been mentioning the second single from Najoua Belyzel's new album, the Mylene Farmer-dedicated "M (Hey Hey Hey)"...
...a new Blake Lewis song, "Binary Love" (on writer/producer Carl Ryden's MysSpace), which isn't as good as "Heartbreak On Vinyl" but is still OK...
...and the FANTASTIC, GORGEOUS middle eight to Britney's new single "3." Sweet and lovely, in a slightly "Brave New Girl" way.
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Showing posts with label Najoua Belyzel. Show all posts
Showing posts with label Najoua Belyzel. Show all posts
If I see a light flashing
Before finishing up with the top six songs of this countdown, I have to take a moment to talk about two songs.
First, Najoua Belyzel's "Au féminin." You may know Najoua from her brilliant 2006 singles like "Gabriel" and "Je ferme les yeux," '80's-inspired French electronic pop that made all those who heard it stop in their tracks and pay attention. She released a new single in 2007, but it didn't leave that much of an impression in France or on listeners. She's now back again with the proper lead single for her upcoming album...and I have to say, it's not quite what I was hoping for from her. It's as if the strength and power has gone out of Najoua's songs--everything's just been dialed back some. "Au féminin" is OK, but not instantly attention-grabbing. Still, I'm going to hope the new album has something I love more on it, since Najoua's first album had songs that made me so excited about her as an artist.
When Calvin Harris's new single, "I'm Not Alone," hit the Internet yesterday and got a positive response, I wanted to love it, wanted to be inspired to go running about raving about it to everyone, but didn't. Despite not feeling any attachment to "Acceptable in the '80's," never listening to his debut album, and thinking Kylie's "In My Arms" is overrated, I've found myself pretty pro-Calvin Harris for some reason (I do love "The Girls," but that surely can't be enough to explain it). Today, though, I've returned to it more and more. Maybe it's just a function of craving listening to new music as I near the end of this music writing version of NaNoWriMo, but its "euphoric," "Grandaddy, Snow Patrol, and Faithless" (to quote the man himself) sound--basically that '90's rave sound with Snow Patrol style vocals performed by an unrecognizable Calvin--is sinking in with me now and may be clicking in a big way.
There are other songs I'm eager to write about, but I'll leave those--and maybe more thoughts on these two--for the end of the countdown.
First, Najoua Belyzel's "Au féminin." You may know Najoua from her brilliant 2006 singles like "Gabriel" and "Je ferme les yeux," '80's-inspired French electronic pop that made all those who heard it stop in their tracks and pay attention. She released a new single in 2007, but it didn't leave that much of an impression in France or on listeners. She's now back again with the proper lead single for her upcoming album...and I have to say, it's not quite what I was hoping for from her. It's as if the strength and power has gone out of Najoua's songs--everything's just been dialed back some. "Au féminin" is OK, but not instantly attention-grabbing. Still, I'm going to hope the new album has something I love more on it, since Najoua's first album had songs that made me so excited about her as an artist.
When Calvin Harris's new single, "I'm Not Alone," hit the Internet yesterday and got a positive response, I wanted to love it, wanted to be inspired to go running about raving about it to everyone, but didn't. Despite not feeling any attachment to "Acceptable in the '80's," never listening to his debut album, and thinking Kylie's "In My Arms" is overrated, I've found myself pretty pro-Calvin Harris for some reason (I do love "The Girls," but that surely can't be enough to explain it). Today, though, I've returned to it more and more. Maybe it's just a function of craving listening to new music as I near the end of this music writing version of NaNoWriMo, but its "euphoric," "Grandaddy, Snow Patrol, and Faithless" (to quote the man himself) sound--basically that '90's rave sound with Snow Patrol style vocals performed by an unrecognizable Calvin--is sinking in with me now and may be clicking in a big way.
There are other songs I'm eager to write about, but I'll leave those--and maybe more thoughts on these two--for the end of the countdown.
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