In love and it's so overrated

Newsbreak:

Mexican group Belanova's new single, "Nada de más," comes out August 2, apparently. You can listen to a clip below. It sounds pretty fantastic, but then again, I would expect nothing less for the lead single for their new album, Sueño Electro I.



Swedish singer Nanne's new album, En Rastlös Själ, comes out October 6. It's been preceded by the singles "Otacksamhet" and "I Natt Är Jag Din," with one more, the title track, to be released August 18. The cover of the album is at left and the single cover can be viewed here. Other upcoming Swedish albums you may be interested in: Darin's Lovekiller (August 18), Ola's new album (September 15--at least, that's what I read at one point, but Ola now says that it's only 28 days away), and Robyn's Body Talk Pt. II (September 6 internationally). You should be able to buy all those albums from Bengans, though Ola's album isn't listed yet and it probably makes more financial sense to buy Robyn's album from a music distributor in your home country.

The third proper single from the reformed a1, following on "Take You Home" and "Don't Wanna Lose You Again," is "In Love And I Hate It." It's out August 4 in Norway, but the group has been performing it live recently. If you want an advance feel for what it sounds like, here's one such performance.

You know "Champagne Lemonade," that great new song from upcoming British singer Ed Drewett which I wrote about a month ago? It's co-written by Tim Powell of Xenomania. Now we know why it's so buzzily fun. Unusually, for a song coming from a member of Xenomania that we actually get to hear, its only authors are Tim and Ed.

Give you love in America

Twitter-worthy newsbites, some of which actually have appeared on Twitter:

EDITED! Clips Full versions (I'm listening to them as I write this) of several Le Kid songs previously unheard by everyone outside of a select few--"Escape," "America," and "We Are The Drums"--are streaming here full versions here (as well as one full new song, "Seventeen"). The poppy technicolor Swedish group's upcoming debut album is one to watch out for in a big way this year. These new songs are...dreamier than I expected, but in a good way. My guess is these are still demos, but they could very well be the final versions. In other Le Kid news, it looks like "Mercy Mercy" was at some point set for a release late this past December but then canceled--pushed back, I presume. Embedded below are the lovely clips of "Escape" and "America," which I cannot wait to buy and hear in their full versions (edit: you can stream the full versions here, as I said above); in terms of music tone, they kind of remind me of Gwen Stefani's "Cool" and the restrained disco princess side of Kylie, mixed with the best parts of the radio edit of MissMatch's "Breathe In Breathe Out" (which members of the group wrote). Edit: I couldn't help myself--I'm also embedding the clip of the somewhat spunkier "We Are The Drums." The verses kind of have a RedOne-meets-the-Ting-Tings feel, but the song is much better than that makes it sound. Could summer get here quickly, please?

"Escape" (it sounds like this cuts out just before the song fully takes off)



"America"



"We Are The Drums"


(If you haven't listened to swooshy, harder-hitting dance-pop "Telephone" or summery "Mercy Mercy" yet, this is definitely the time to do so.)

Via the latest issue of QX (via in turn Schlagerprofilerna), Linda Bengtzing's upcoming single "Victorious" is a Melodifestival reject and features Velvet. To be honest, as "oh my gosh, Swedish pop princesses colliding!" as that news is, I'd kind of prefer an all-Linda single, but that's just being picky.

As covered by Planet Salem, Chart Rigger, and Scandipop, I'm enjoying Staygold's new single "Backseat Love." The Prince-reminiscent song mainly features vocals from future Melodifestival contestant Salem al Fakir (disguised and under the alias Damien Adore), but in the live performance at the P3 Guld Awards, Robyn stepped in to provide the female vocals usually done by Lady Tigra.



We've finally heard a couple of songs from the reformed-and-featuring-in-a-reality-TV-series Swedish girl group Play. Modern sounding pop, insistent single "Famous" and its sparkly b-side "Girls" have caught my ear, although we'll see if they have lasting power; the problem with much of the output of Janet Leon (one of the artists featured in last year's season of said show) was that, though it took its leads from where pop is at now, many of the songs sounded anonymous over the long run.

In belated news, I've only just noticed that "DESTROY! DESTROY!", just possibly Swedish group DYNO's best song from what we've heard so far, is streaming in a quality better than what you can hear at MySpace over on their Facebook page, accessible whether or not you have an account. Synthy pop-rock that is very much worth your time on every level. Go over the #1 Hits From Another Planet to hear "Above & Beyond."

Speaking of synths, Xenomania-backed British singer Alex Gardner debuted the soulful singer-songwriter over synths sound via the full version of his debut single "I'm Not Mad" getting played on the radio recently; check out Xenomania News for instructions on listening to it or here for a clip. I've been a bit nervous about this project living up to this potential and now find myself in the strange situation of feeling unsure that "I'm Not Mad" is all I wanted it to be while simultaneously playing it much more than I expected. I've been wondering recently if Xenomania's output in the past year or so has always succeeded as matching up a great instrumental to a great vocal part (with, in general, the instrumentals exceeding the vocal melody, but at least not really fitting together), and "I'm Not Mad" kind of enhances the differentiation even more. Still, the song has gone straight into frequent rotation on my iPod, so I must really like it.

There's a low quality recording of Nanne performing her new single "I Natt Är Jag Din" here. The song sounds to have the production style you'd expect from Nanne (flirting with electro-rock), but I'm still not totally convinced. Sanna Nielsen's mid-tempo Celine Dion-like "Devotion," meanwhile, is proving with time to be more enjoyable than my original "OK" rating would indicate. It could still use a better ending, though.

Anything she wants

One of the best things to happen recently for those of us who love Swedish music is Cutting Room's decision to open a blog documenting all the work they're doing, mainly on the technical production side of music (like mastering). They've been the first place to go to read about new singles from Nanne (a cover of Tomas Ledin's "I nätt ar jag din"), Linda Bengtzing ("Victorious"--so it's in English?!), Brolle ("Anything She Wants"), and many others. If you're not checking the site regularly, I recommend starting to do so now (though I've also been tweeting some of the highlights).

Hold on just for a while

A few notes on artist and songwriter-related subjects:

Martin Stenmarck's upcoming album, I Septemberland, features five songs from the team at Swedish music publishing and production company TEN (A*Teens, Amy Diamond, Erik Hassle). In this case, though, the songs don't seem to be by the Tysper/Grizzly/Mack team (who in addition to the aforementioned successes have also been the creators of Industry's "My Baby's Waiting" and VV Brown's "Shark In The Water") but rather by Elof Loelv and Kim Wennerström, who also worked with Erik Hassle and produced Malena Ernman's "La Voix." Kim is also a member of the band DYNO and Elof has worked with them (if you're not already a fan, now's the time to fall in love with them; they're overdue a post here, but in the meantime, check out coverage on #1 Hits From Another Planet and Don't Stop The Pop), who are now under TEN's wings. Anyway, I wouldn't expect a change in Martin's style, but hopefully this is a good sign in terms of quality meeting accessibility. The song titles TEN is involved with are:

I Septemberland
Gråa Hjärtans Sång
Happy Ending
Jag Vill, Jag Vill, Jag Vill
J, Jeff och Jesus

Kris Allen apparently wrote some songs with Eg White (Will Young's "Leave Right Now," "Who Am I," "Let It Go," "I Won't Give Up," "Tell Me The Worst," James Morrison's "You Give Me Something," Adele) for his upcoming debut major label album. The tracklisting isn't finalized yet, so it's uncertain which if any will make the cut.

(Side note: the first tastes of Adam Lambert's new music is out, but it's a non-album power ballad, "Time For Miracles," for the 2012 soundtrack and is apparently not indicative of the sound of the album. Oh, and Dr. Luke recently mentioned he was adding retro synths to a song for Adam--I'm hoping he means Van Halen's "Jump"-style synths.)

Bosson released a greatest hits collection this past summer. Did anyone else not know that? A quick glance at the tracklisting doesn't show any new songs beyond a version of "One In A Million" featuring Elizma Theron. I hope he releases new material soon...and that it's more like his older songs, not like "Wake Up." He's friends with Twentyfive Productions (Lisette Vares, Danny's "I Need To Know") on MySpace, which could mean they just produced the new version of "One In A Million" or he's working on them with new stuff.

As Paul of Fizzy Pop and PopMuse have written, the video for Will Young's new single, "Hopes & Fears," is out. It's a great song, one of those gentle mid/up-tempo hybrids that just makes you feel better about the day.

Seven of the songs on Magnus Carlsson's upcoming album Pop Galaxy are by Pitchline (Velvet's "Take My Body Close" and "Come Into The Night" and a song with Elin Lanto that I still hope to hear some day--speaking of which, Scandipop has great Elin news about a new single and possible participation in a certain music festival).

Kleerup, Natasha Bedingfield, and newcomer Jonas Myrin (you might know him best as the male mannequin in Sophie Ellis-Bextor's "Get Over You" video) all worked on a song together--presumably for Natasha. It was such a surprising combination that I had to mention it.

James Morrison has a new single, "Get To You," coming out to promote the rerelease of his second album, Songs For You, Truths For Me. It's produced by Mark Taylor, the same man who produced "Broken Strings," his excellent duet with Nelly Furtado, as well as many, many other songs. It's not quite as great as that earlier single, but it's good.

Nanne's great recent single "Otacksamhet" was co-written and co-produced by '80s Swedish popstar Paul Rein. Given how much I ADORE the Epicentre-penned "Kom Hit," on which Nanne duets with Paul, I'm thinking they should collaborate more often.

I'm sure all the hardcore Agnes fans already knew this, but half of Agnes's demo version of "Say Love," the song which eventually ended up being released by Sandra, is streaming in the music section of the website of the song's cowriters, Epicentre's Anders Wikström and Fredrik Thomander.