I've fallen into a bad habit recently of starting these long, involved posts and then never finishing them, leaving them lost in the cobweb filled word of "Drafts" for who knows how long, and then rushing out a quick one or two sentence description of each song I'm loving at the moment (though strangely my last rambly long post got finished in one sitting). It's certainly not for lack of good music to write about--it's more a matter of songs that I love so much that I really want to do them justice or multi-part issues or explorations of subjects that cry out for a little more effort and my seeming ADDish inability to finish them.
I'll try to hit that middle ground sweet spot more often, though, because I need an outlet to talk about how much I'm enjoying Martin Stenmarck's new album, how excited I am about the new Adam Lambert album (I have apparently listened to each of the 30 second clips--well, except "Time For Miracles"--fourteen times on my iPod alone), how lovely the Sugababes' "Wait For You" is, how much bounce Anna Abreu's "Music Everywhere" puts in my step, or how hard I fell for Blake Lewis's "Left My Baby For You" (I've said before how much I love "Heartbreak On Vinyl," and that still holds true as well).
In the meantime, there are a couple of projects based around the end of the decade that are worth your reading time: Chart Rigger's 40 best pop songs of the '00s and XO's year-by-year review of the '00s. It's really easy to get caught up in the excitement of now and songs that you instantly love are a hugely important part of pop; having spent all Friday a week ago with that adrenaline rush you get from loving, really loving a new song, I'm certainly not going to knock the appeal of the here-and-now. A bit of distance, though, can sometimes make for a better, more insightful read and can take you back to some pretty special songs (and memories, even if the songs no longer hold the power for you now that they did then).
Showing posts with label Martin Stenmarck. Show all posts
Showing posts with label Martin Stenmarck. Show all posts
Hold on just for a while
A few notes on artist and songwriter-related subjects:
Martin Stenmarck's upcoming album, I Septemberland, features five songs from the team at Swedish music publishing and production company TEN (A*Teens, Amy Diamond, Erik Hassle). In this case, though, the songs don't seem to be by the Tysper/Grizzly/Mack team (who in addition to the aforementioned successes have also been the creators of Industry's "My Baby's Waiting" and VV Brown's "Shark In The Water") but rather by Elof Loelv and Kim Wennerström, who also worked with Erik Hassle and produced Malena Ernman's "La Voix." Kim is also a member of the band DYNO and Elof has worked with them (if you're not already a fan, now's the time to fall in love with them; they're overdue a post here, but in the meantime, check out coverage on #1 Hits From Another Planet and Don't Stop The Pop), who are now under TEN's wings. Anyway, I wouldn't expect a change in Martin's style, but hopefully this is a good sign in terms of quality meeting accessibility. The song titles TEN is involved with are:
I Septemberland
Gråa Hjärtans Sång
Happy Ending
Jag Vill, Jag Vill, Jag Vill
J, Jeff och Jesus
Kris Allen apparently wrote some songs with Eg White (Will Young's "Leave Right Now," "Who Am I," "Let It Go," "I Won't Give Up," "Tell Me The Worst," James Morrison's "You Give Me Something," Adele) for his upcoming debut major label album. The tracklisting isn't finalized yet, so it's uncertain which if any will make the cut.
(Side note: the first tastes of Adam Lambert's new music is out, but it's a non-album power ballad, "Time For Miracles," for the 2012 soundtrack and is apparently not indicative of the sound of the album. Oh, and Dr. Luke recently mentioned he was adding retro synths to a song for Adam--I'm hoping he means Van Halen's "Jump"-style synths.)
Bosson released a greatest hits collection this past summer. Did anyone else not know that? A quick glance at the tracklisting doesn't show any new songs beyond a version of "One In A Million" featuring Elizma Theron. I hope he releases new material soon...and that it's more like his older songs, not like "Wake Up." He's friends with Twentyfive Productions (Lisette Vares, Danny's "I Need To Know") on MySpace, which could mean they just produced the new version of "One In A Million" or he's working on them with new stuff.
As Paul of Fizzy Pop and PopMuse have written, the video for Will Young's new single, "Hopes & Fears," is out. It's a great song, one of those gentle mid/up-tempo hybrids that just makes you feel better about the day.
Seven of the songs on Magnus Carlsson's upcoming album Pop Galaxy are by Pitchline (Velvet's "Take My Body Close" and "Come Into The Night" and a song with Elin Lanto that I still hope to hear some day--speaking of which, Scandipop has great Elin news about a new single and possible participation in a certain music festival).
Kleerup, Natasha Bedingfield, and newcomer Jonas Myrin (you might know him best as the male mannequin in Sophie Ellis-Bextor's "Get Over You" video) all worked on a song together--presumably for Natasha. It was such a surprising combination that I had to mention it.
James Morrison has a new single, "Get To You," coming out to promote the rerelease of his second album, Songs For You, Truths For Me. It's produced by Mark Taylor, the same man who produced "Broken Strings," his excellent duet with Nelly Furtado, as well as many, many other songs. It's not quite as great as that earlier single, but it's good.
Nanne's great recent single "Otacksamhet" was co-written and co-produced by '80s Swedish popstar Paul Rein. Given how much I ADORE the Epicentre-penned "Kom Hit," on which Nanne duets with Paul, I'm thinking they should collaborate more often.
I'm sure all the hardcore Agnes fans already knew this, but half of Agnes's demo version of "Say Love," the song which eventually ended up being released by Sandra, is streaming in the music section of the website of the song's cowriters, Epicentre's Anders Wikström and Fredrik Thomander.
Martin Stenmarck's upcoming album, I Septemberland, features five songs from the team at Swedish music publishing and production company TEN (A*Teens, Amy Diamond, Erik Hassle). In this case, though, the songs don't seem to be by the Tysper/Grizzly/Mack team (who in addition to the aforementioned successes have also been the creators of Industry's "My Baby's Waiting" and VV Brown's "Shark In The Water") but rather by Elof Loelv and Kim Wennerström, who also worked with Erik Hassle and produced Malena Ernman's "La Voix." Kim is also a member of the band DYNO and Elof has worked with them (if you're not already a fan, now's the time to fall in love with them; they're overdue a post here, but in the meantime, check out coverage on #1 Hits From Another Planet and Don't Stop The Pop), who are now under TEN's wings. Anyway, I wouldn't expect a change in Martin's style, but hopefully this is a good sign in terms of quality meeting accessibility. The song titles TEN is involved with are:
I Septemberland
Gråa Hjärtans Sång
Happy Ending
Jag Vill, Jag Vill, Jag Vill
J, Jeff och Jesus
Kris Allen apparently wrote some songs with Eg White (Will Young's "Leave Right Now," "Who Am I," "Let It Go," "I Won't Give Up," "Tell Me The Worst," James Morrison's "You Give Me Something," Adele) for his upcoming debut major label album. The tracklisting isn't finalized yet, so it's uncertain which if any will make the cut.
(Side note: the first tastes of Adam Lambert's new music is out, but it's a non-album power ballad, "Time For Miracles," for the 2012 soundtrack and is apparently not indicative of the sound of the album. Oh, and Dr. Luke recently mentioned he was adding retro synths to a song for Adam--I'm hoping he means Van Halen's "Jump"-style synths.)
Bosson released a greatest hits collection this past summer. Did anyone else not know that? A quick glance at the tracklisting doesn't show any new songs beyond a version of "One In A Million" featuring Elizma Theron. I hope he releases new material soon...and that it's more like his older songs, not like "Wake Up." He's friends with Twentyfive Productions (Lisette Vares, Danny's "I Need To Know") on MySpace, which could mean they just produced the new version of "One In A Million" or he's working on them with new stuff.
As Paul of Fizzy Pop and PopMuse have written, the video for Will Young's new single, "Hopes & Fears," is out. It's a great song, one of those gentle mid/up-tempo hybrids that just makes you feel better about the day.
Seven of the songs on Magnus Carlsson's upcoming album Pop Galaxy are by Pitchline (Velvet's "Take My Body Close" and "Come Into The Night" and a song with Elin Lanto that I still hope to hear some day--speaking of which, Scandipop has great Elin news about a new single and possible participation in a certain music festival).
Kleerup, Natasha Bedingfield, and newcomer Jonas Myrin (you might know him best as the male mannequin in Sophie Ellis-Bextor's "Get Over You" video) all worked on a song together--presumably for Natasha. It was such a surprising combination that I had to mention it.
James Morrison has a new single, "Get To You," coming out to promote the rerelease of his second album, Songs For You, Truths For Me. It's produced by Mark Taylor, the same man who produced "Broken Strings," his excellent duet with Nelly Furtado, as well as many, many other songs. It's not quite as great as that earlier single, but it's good.
Nanne's great recent single "Otacksamhet" was co-written and co-produced by '80s Swedish popstar Paul Rein. Given how much I ADORE the Epicentre-penned "Kom Hit," on which Nanne duets with Paul, I'm thinking they should collaborate more often.
I'm sure all the hardcore Agnes fans already knew this, but half of Agnes's demo version of "Say Love," the song which eventually ended up being released by Sandra, is streaming in the music section of the website of the song's cowriters, Epicentre's Anders Wikström and Fredrik Thomander.
Try to find some more stars
While I'm engaging in pointless ways to evaluate an album, the tracklist for the Alesha album, The Alesha Show, looks pretty great. Special shout-out to track 12.
1.) Welcome To The Alesha Show
2.) Let's Get Excited
3.) Breathe Slow
4.) Cinderella Shoe
5.) The Boy Does Nothing
6.) Chasing Ghosts
7.) Play Me
8.) Hand It Over
9.) Do You Know The Way It Feels
10.) Can I Begin
11.) Italians Do It Better
12.) Ooh Baby I Like It Like That
13.) Don't Ever Let Me Go
14.) I'm Thru
15.) Mystery (hidden track)
I hope the cover is as awesome as it should be.
In other news, why on Earth did no one tell me Martin Stenmarck had recorded a new English language song? Granted, it's for charity--the Scandic Sustainability Fund, run by this hotel chain--but still, any Martin at all is always more than welcome. It's called "A Million Candles Burning" and you can stream it here or buy it from Swedish iTunes (if you're from Sweden) here (possibly the best thing about this whole project is that whoever came up with the remix name decided to call it the "Sustainable Mix." Brilliant). It's at #2 in the Swedish singles chart, but that means absolutely nothing in terms of how popular the song actually is. Maybe of more meaning is its entry into Sverige Topp 40 (which mixes albums and singles, so I really don't what it actually means either), which combines sales and TV and radio play, at #17.
I know I'll probably never get around to actually writing about it like I should, but the new Sugababes album is great. Really, it is. And I've still not written about the fantastic Ladyhawke album yet, have I? Needs to be done. Albums that I found (to steal a phrase) worthy were pretty scarce in the first half of the year, but that's been changing over the past few months luckily. So far, I think I'd put Ladyhawke, Sugababes, Kate Ryan, probably Will Young on the list, though there are a couple of albums I've only just bought/got that I'll need to properly listen to a few more times before I make a judgment call (and I may be forgetting something).
My favorite album of the year so far, though? It's never been challenged since March. I've never done a proper write-up of it and I don't think I could even come close to doing it justice if I tried, but that may not stop me from trying at some point in the next few months, if I can ever figure out how to put into words my adoration of it, how exciting I find it. It's an album I'll recommend to anyone and everyone (recommendation was in fact how I first listened to it), but, oddly enough, it's not an album I can ever envision myself listening to with someone else unless it was in the most intimate of circumstances.
What is it?
In other news, Darin and David Jassy wrote American boy band (and My Fizzy Pop post subjects) V Factory's new single "Love Struck." Listen to it here. I could be completely wrong on this, but doesn't it even sound like you can hear Darin on the backing vocals sometimes? Speaking of Darin, you can also watch a video (in Swedish) of the making of the video for "Breathing Your Love" here.
According to an interview, he's got a record contract in France now.
1.) Welcome To The Alesha Show
2.) Let's Get Excited
3.) Breathe Slow
4.) Cinderella Shoe
5.) The Boy Does Nothing
6.) Chasing Ghosts
7.) Play Me
8.) Hand It Over
9.) Do You Know The Way It Feels
10.) Can I Begin
11.) Italians Do It Better
12.) Ooh Baby I Like It Like That
13.) Don't Ever Let Me Go
14.) I'm Thru
15.) Mystery (hidden track)
I hope the cover is as awesome as it should be.
In other news, why on Earth did no one tell me Martin Stenmarck had recorded a new English language song? Granted, it's for charity--the Scandic Sustainability Fund, run by this hotel chain--but still, any Martin at all is always more than welcome. It's called "A Million Candles Burning" and you can stream it here or buy it from Swedish iTunes (if you're from Sweden) here (possibly the best thing about this whole project is that whoever came up with the remix name decided to call it the "Sustainable Mix." Brilliant). It's at #2 in the Swedish singles chart, but that means absolutely nothing in terms of how popular the song actually is. Maybe of more meaning is its entry into Sverige Topp 40 (which mixes albums and singles, so I really don't what it actually means either), which combines sales and TV and radio play, at #17.
I know I'll probably never get around to actually writing about it like I should, but the new Sugababes album is great. Really, it is. And I've still not written about the fantastic Ladyhawke album yet, have I? Needs to be done. Albums that I found (to steal a phrase) worthy were pretty scarce in the first half of the year, but that's been changing over the past few months luckily. So far, I think I'd put Ladyhawke, Sugababes, Kate Ryan, probably Will Young on the list, though there are a couple of albums I've only just bought/got that I'll need to properly listen to a few more times before I make a judgment call (and I may be forgetting something).
My favorite album of the year so far, though? It's never been challenged since March. I've never done a proper write-up of it and I don't think I could even come close to doing it justice if I tried, but that may not stop me from trying at some point in the next few months, if I can ever figure out how to put into words my adoration of it, how exciting I find it. It's an album I'll recommend to anyone and everyone (recommendation was in fact how I first listened to it), but, oddly enough, it's not an album I can ever envision myself listening to with someone else unless it was in the most intimate of circumstances.
What is it?
In other news, Darin and David Jassy wrote American boy band (and My Fizzy Pop post subjects) V Factory's new single "Love Struck." Listen to it here. I could be completely wrong on this, but doesn't it even sound like you can hear Darin on the backing vocals sometimes? Speaking of Darin, you can also watch a video (in Swedish) of the making of the video for "Breathing Your Love" here.
According to an interview, he's got a record contract in France now.
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