Alexandra Burke's latest single, "Start Without You," isn't really doing it for me, but her performance of it on TV show Magic Numbers was befitting of someone who's had one of the best singles of 2009 and one of the best singles of 2010.
There's enough "popstariness" there and in her delivery on "Bad Boys" and "All Night Long" to certainly make you hope her label and A&R get their act together and deliver on the album front next time around, no?
Showing posts with label Alexandra Burke. Show all posts
Showing posts with label Alexandra Burke. Show all posts
Must be something in the water
I'm not much of a lying around the pool in the middle of summer kind of girl--give me a book and some shade, thank you very much--but a weeklong early summer vacation in a humid southern state kind of demands it. The songs that fell into frequent rotation for me this year during my "would have been more deserved any time from February to April but by this point was basically just a change in location, not leisure time" vacation (it's heavy on songs I added just before taking off and losing computer access):
Kelly Rowland, "Commander" (the song of summer, and don't pretend it's anything else)
3OH!3 feat. Kesha, "My First Kiss" (does this mean I'm giving in?)
Sean Kingston & Justin Bieber, "Eenie Meanie" (my "maybe the kids are all right" moment with today's teen pop, it's enough bubblegum fun to outweigh the awful "catch a bad chick by her toe" part)
Alexandra Burke, "All Night Long" (the only thing wrong with this song is that the best part is the backing "all night, all night, all night night night night" part, not the actual chorus melody. Other than that, it's just the sort of fun, lighthearted party song the summer demands)
Alphabeat, "DJ" (what's clearly the best song from their most recent album finally gets a single release)
Kesha, "Bootycall" (another Kesha leak/demo, this one could stand with the first few opening and final seconds getting cut, but the '80s candyfloss joy of the chorus and its overproduced '80s drums makes up for it)
Enrique Iglesias feat. Pitbull, "I Like It" (long live Enrique, even if the cynical side of me is unconvinced about staying power here. Plus, well, how can you begrudge him working with RedOne when he's the creator of what's obviously the best "RedOne + artist" tag ever in "Takin' Back My Love"?)
Baby Alice, "Piña Colada Boy" (gimmicky summer fun)
Aggro Santos feat. Kimberly Wyatt, "Candy" (the best thing about this dance-rap song is that the worst lyrics in it--heck, probably the worst lyrics all year--are the catchiest part, delivered in a staccato style so they're as easy to understand as possible, and transcend over into brilliantly awful: "girl. you. look. familiar. Where. do. I know. you. from?/Have. you. been. to. visit. me. at. AggroSantos.com?")
Taio Cruz feat. Ludacris, "Break Your Heart" (one of my favorite pop songs of 2009, so who would have thought the insertion of a couple of Ludacris raps into it could possibly make me love it even more? The best thing Ludacris has done since Usher's "Yeah!", and we all know how amazing that was)
Rogue Traders, "Would You Raise Your Hands?" (back on track after the misfire of "Love Is A War," the Australian dance-rock team delivers a song that never fails to make me pick up the jogging pace)
Katy Perry feat. Snoop Dogg, "California Gurls" (lightweight, but begging for successive summer plays...and do you know what? There's no point resisting)
Kids Of 88, "Just A Little Bit" (avoiding watching the video, loving this snappy electro-pop song from a two guy New Zealand act)
Jason Derulo, "Love Hangover" (broke down and bought his album just before leaving. It's not a must-own, but why is this not the next single instead of "Ridin' Solo"?)
Scissor Sisters, "Fire With Fire" (confession: the only Scissor Sisters song I've ever really enjoyed before this album campaign was "Paul McCartney." Maybe it's due to Jake is using his voice differently that this particular door opened up, but it's the joyous uplift of the Elton John-meets-the-Killers'-"Human"-but-better of the song itself that sealed the deal)
Mini Viva, "One Touch" (most thrilling Xenomania song since, what, at least "Miss You Bow Wow"? It's the attitude-filled fresh female sound that caused us all to fall in love with Girls Aloud)
Play, "Consequence Of You" (haven't really listened to the Swedish girl group's album, but there's no way there can be anything better than this song on it)
Throw in some random holdovers from spring--Matisse's "Better Than Her," Young Money's "BedRock" (cheesy puns are my weakness; see also: above picture), Lady GaGa's "Alejandro," Kesha's "Your Love Is My Drug," Gabriella Cilmi's "Superhot," etc.--and a few other songs--Dolly Rockers' "Automatic Girl," Taio's "Dynamite"--you've got the new additions. There's a whole summer playlist that gets rolled out, of course, but those standbys will have to compete with some great new songs from the past week or so. In fact, hmm, give me a few minutes...
(By the way, Crystal Bowersox and American Idol, you couldn't have had your hometown visit one week earlier or one week later? Really? It had to be during my previously scheduled and unmovable week away?)
Discover me
Songwriter update:
I reported earlier that British (but with an American deal with Lava Records) singer Jessie J, who may now be going by Jessie, was working with Dr. Luke and Claude Kelly. We've since had the opportunity to hear what must be at least one result from that collaboration: Miley Cyrus's "Party in the USA," co-written by Luke, Claude, and Jessie. Hopefully, though, we'll hear better things sung by Jessie herself on her debut album, supposedly due out this year. I'm skeptical about that actually happening--the buzz behind the singer, more formally known as Jessica Cornish, needs more time to build.
Lucas Secon, the co-writer of songs like the Pussycat Dolls' "I Hate This Part," Martin's "Show The World," and Sarah Connor's "Under My Skin," is working on a new song with Britney Spears, according to his latest MySpace blog. He says he's also the producer of the lead single for Toni Braxton's new album, Pulse, which was written by him and Makeba Riddick. "Get Loose," a Toni track which leaked late last year, is still a great listen. "Resuscitate Me," which he reports is the "Say It"-following second single from Booty Luv's second album, is co-written by him as well.
Sharon Vaughn, co-writer of Agnes's "Release Me," has a song on her MySpace called "Penny on the Sidewalk" which sounds like it's being sung by Fredrik Kempe, the Swedish opera and pop singer who, despite two solo albums, is best known recently for his songwriting work. It could be an old song , but if you've missed Fredrik's voice or are completionist about the work of Kempe, Vaughn, Per Magnusson, or David Kreuger, its writers, head over there. If you're only a fan of Kempe's up-tempo, poppy productions, though, it's not for you. The (female) voice on "Dreamers Don't Get Much Sleep" also sounds familiar, though I can't quite place who it is.
Fibes, Oh Fibes!'s album 1987, released this week, features songs by Spandau Ballet's Gary Kemp and Pontus and Petter Winnberg (the former being one-half of Bloodshy & Avant), among other talents more known to Swedes.
Swedish singer and former Alcazar and Barbados member Magnus Carlsson continues to work on his upcoming pop album (to be preceded by a holiday album this year, last I heard), Pop Galaxy, due in February of next year (you have to raise an eyebrow at that choice). He's continued to record with Pitchline (Velvet's "Come Into The Night" and "Take My Body Close") and Hitvision (and as mentioned before, Emil Hellman of SoundFactory contributed to some of them); some of the possible inclusions are called "Addicted To You" and "Last One To Stand."
Allison Iraheta, the fourth place finisher on the last season of American Idol, has worked with Toby Gad for her debut album, planned for a fall release...but really, who hasn't worked with him at this point, especially out of the Idol contestants?
Fred Ball (of Pleasure and work with Bertine Zetlitz) has contributed as a writer and producer to Girls Can't Catch's upcoming album.
Pascal Gabriel is working with Ladyhawke (on her second album), Example, Goldfrapp, and Marina & the Diamonds (we may have heard some of the resulting creations already).
The tracklist for the Saturdays' second album is out; Ina Wroldsen, co-writer of the majority of their first album, has done "No One," "One Shot," "Baby Baby," "Denial," "Wordshaker," "Open Up," and "Deeper." She's also contributed "Discover Me" to Girls Can't Catch's album, "My Hands" and "Heartbeat" to Leona Lewis's (earlier her two Leona contributions were called "Thank You, Thank You" and "My Heart," so I'm guessing they've just been renamed), "My Man," "Get Up (Stronger Man)," "Punching Out," and "I Had Him First" to Jade Ewen's, and "Before The Rain"'s to Alexandra Burke's. She's also got a song called "Not For You" which is listed as a Kylie Minogue release, but I don't have the Kylie knowledge to know whether that's a song that's come out already or not (it could also be the same song as Natalie Bassingthwaighte's "Not For You," also by Ina).
I reported earlier that British (but with an American deal with Lava Records) singer Jessie J, who may now be going by Jessie, was working with Dr. Luke and Claude Kelly. We've since had the opportunity to hear what must be at least one result from that collaboration: Miley Cyrus's "Party in the USA," co-written by Luke, Claude, and Jessie. Hopefully, though, we'll hear better things sung by Jessie herself on her debut album, supposedly due out this year. I'm skeptical about that actually happening--the buzz behind the singer, more formally known as Jessica Cornish, needs more time to build.
Lucas Secon, the co-writer of songs like the Pussycat Dolls' "I Hate This Part," Martin's "Show The World," and Sarah Connor's "Under My Skin," is working on a new song with Britney Spears, according to his latest MySpace blog. He says he's also the producer of the lead single for Toni Braxton's new album, Pulse, which was written by him and Makeba Riddick. "Get Loose," a Toni track which leaked late last year, is still a great listen. "Resuscitate Me," which he reports is the "Say It"-following second single from Booty Luv's second album, is co-written by him as well.
Sharon Vaughn, co-writer of Agnes's "Release Me," has a song on her MySpace called "Penny on the Sidewalk" which sounds like it's being sung by Fredrik Kempe, the Swedish opera and pop singer who, despite two solo albums, is best known recently for his songwriting work. It could be an old song , but if you've missed Fredrik's voice or are completionist about the work of Kempe, Vaughn, Per Magnusson, or David Kreuger, its writers, head over there. If you're only a fan of Kempe's up-tempo, poppy productions, though, it's not for you. The (female) voice on "Dreamers Don't Get Much Sleep" also sounds familiar, though I can't quite place who it is.
Fibes, Oh Fibes!'s album 1987, released this week, features songs by Spandau Ballet's Gary Kemp and Pontus and Petter Winnberg (the former being one-half of Bloodshy & Avant), among other talents more known to Swedes.
Swedish singer and former Alcazar and Barbados member Magnus Carlsson continues to work on his upcoming pop album (to be preceded by a holiday album this year, last I heard), Pop Galaxy, due in February of next year (you have to raise an eyebrow at that choice). He's continued to record with Pitchline (Velvet's "Come Into The Night" and "Take My Body Close") and Hitvision (and as mentioned before, Emil Hellman of SoundFactory contributed to some of them); some of the possible inclusions are called "Addicted To You" and "Last One To Stand."
Allison Iraheta, the fourth place finisher on the last season of American Idol, has worked with Toby Gad for her debut album, planned for a fall release...but really, who hasn't worked with him at this point, especially out of the Idol contestants?
Fred Ball (of Pleasure and work with Bertine Zetlitz) has contributed as a writer and producer to Girls Can't Catch's upcoming album.
Pascal Gabriel is working with Ladyhawke (on her second album), Example, Goldfrapp, and Marina & the Diamonds (we may have heard some of the resulting creations already).
The tracklist for the Saturdays' second album is out; Ina Wroldsen, co-writer of the majority of their first album, has done "No One," "One Shot," "Baby Baby," "Denial," "Wordshaker," "Open Up," and "Deeper." She's also contributed "Discover Me" to Girls Can't Catch's album, "My Hands" and "Heartbeat" to Leona Lewis's (earlier her two Leona contributions were called "Thank You, Thank You" and "My Heart," so I'm guessing they've just been renamed), "My Man," "Get Up (Stronger Man)," "Punching Out," and "I Had Him First" to Jade Ewen's, and "Before The Rain"'s to Alexandra Burke's. She's also got a song called "Not For You" which is listed as a Kylie Minogue release, but I don't have the Kylie knowledge to know whether that's a song that's come out already or not (it could also be the same song as Natalie Bassingthwaighte's "Not For You," also by Ina).
Turn and walk away tonight
Songwriter update (because yes, I am a total songwriter nerd-in-training):
Jessie J (pictured), the British singer that Worrapolava has championed, was signed a few months ago. That's not news. What is news is that she's had Dr. Luke and Claude Kelly (working together, Kelly Clarkson's "My Life Would Suck Without You," Britney's "Circus") writing for her.
Claude Kelly (in addition to the songs mentioned above, Leona Lewis's "Forgive Me," Lemar's "If She Knew," Linda Teodosiu's "Love Sux") has also been working with Jordin Sparks, who, in addition to working with Lucas Secon (the Pussycat Dolls' "Hush Hush," Sarah Connor's "Under My Skin," Martin's "Show The World") on that song I posted about earlier this year, has apparently gotten at least one song from Ryan Tedder (Leona Lewis's "Bleeding Love," Timbaland feat. OneRepublic's "Apologize") too: Popjustice revealed last week that the lead single for her second album is a Tedder-penned song called "Battlefied." Check out PJ's post for details.
Moving back to Claude Kelly for a moment, as I mentioned earlier, he's also done several songs with the Backstreet Boys recently. A video of him talking about them was posted, but it's since been set to private. In it, though, he mentions "Bye Bye Love" (an up-tempo club-friendly song which features the line "I think I want to stay single, so bye bye love," as revealed earlier), "Don't Try This At Home" (which they sang a cappella at a sound check; it's a "heartbreak record"), and "What I Know Now" (he calls it a "pop urban hybrid;" listen to a non-BSB featuring demo here). He's also working with Wynter Gordon and, somewhat surprisingly, American Idol's Jason Castro.
Ryan Laubscher, the main man behind Alex Roots, has clips of demos for several artists on his official site (click on "Music"). The most noteworthy ones in terms of artist names that I hadn't previously heard elsewhere are Amy Pearson's "Contagious," the title track from her second album (it's more upbeat and electro/dance than I was expecting); Tina Barrett's (formerly of S Club 7) "I'll Be Your Woman;" Alex Roots's "Prisoner" (which sounds like it could potentially be epic in its final form), and Christophe Willem's "Si je tombais" (there's a Pixie song, too, but the full version of that has been on his MySpace, and I think it might just be a demo available for purchase).
Fred Ball of Pleasure (see: his work with Bertine Zetlitz, his producer project Pleasure's "Out Of Love") has done "forthcoming" work with Sophie Ellis-Bextor (that he'd co-written a song with Ina Wroldsen, lately of work with the Saturdays, called "Synchronized" was already known, so this could be referring just to that or to more), Little Boots (not sure whether it's songs we've already heard or not), and Paloma Faith (whose name is popping up all over the place).
Speaking of Ina Wroldsen (as mentioned above, she was the glue that held the Saturdays together in terms of songwriting), I only just found out that she co-wrote the song Lucas Secon (who also co-wrote it) has had listed as Pixie Lott's second single for ages, before we even found out what the first single was, "Gravity." Her recent work also includes a song for Lindsay Lohan called "Stuck" (though given the limbo that project's in, I wouldn't hold your breath to hear it), songs for Leona Lewis called "Thank You Thank You" and "Your Heart," a song for Kat De Luna called "Break Me," and a song for Hayden Panettiere called "Top Up."
Xenomania (Girls Aloud) are keeping busy, with news coming out over the past month that they'll be working with Leona Lewis, and Shayne Ward, both of whom are British X Factor winners.
The most recent X Factor winner, Alexandra Burke (pictured), appears to be working with some big names for her debut album: RedOne (Darin's "Step Up," Lady GaGa's "Just Dance") Stargate (Beyoncé's "Irreplaceable," Rihanna's "Don't Stop The Music"), Brian Kennedy (Rihanna's "Disturbia," Chris Brown's "Forever") Timbaland (Nelly Furtado's "Maneater," Justin Timberlake's "SexyBack;" possibly just met, but maybe worked with), the Freemasons (remixes of Beyoncé songs, Kylie Minogue's "The One"), Claude Kelly, Savan Kotecha (Britney Spears's "If U Seek Amy," Shayne Ward's "No U Hang Up"), Soulshock & Karlin (Alesha Dixon's "Breath Slow"), and probably some people I've left out. In other words: big budget, brand name songwriters--taking Alexandra to major international success is obviously what her management is aiming for.
Do you remember the brilliant Dolly Rockers' song "How Did I End Up With You?" I posted a week ago? Popjustice wrote about it shortly after (and posted a clip of the studio version) and revealed (well, clued me in) that the songwriter behind it and the majority of the project is Ray Hedges.
On the subject of girl bands promoted on PopJustice, Girls Can't Catch's debut single "Keep Your Head Up" is written and produced by Chris Braide (the Saturdays' "Chasing Lights," D-Side's "Invisible"). The live version has shown the song so have a lot of potential, but the clips of the studio version we've heard so far are lacking punch; they sound like demos. Hopefully there's still time to improve the production on them.
I'm sure I forgot something I meant to mention, but that'll do for now.
Jessie J (pictured), the British singer that Worrapolava has championed, was signed a few months ago. That's not news. What is news is that she's had Dr. Luke and Claude Kelly (working together, Kelly Clarkson's "My Life Would Suck Without You," Britney's "Circus") writing for her.Claude Kelly (in addition to the songs mentioned above, Leona Lewis's "Forgive Me," Lemar's "If She Knew," Linda Teodosiu's "Love Sux") has also been working with Jordin Sparks, who, in addition to working with Lucas Secon (the Pussycat Dolls' "Hush Hush," Sarah Connor's "Under My Skin," Martin's "Show The World") on that song I posted about earlier this year, has apparently gotten at least one song from Ryan Tedder (Leona Lewis's "Bleeding Love," Timbaland feat. OneRepublic's "Apologize") too: Popjustice revealed last week that the lead single for her second album is a Tedder-penned song called "Battlefied." Check out PJ's post for details.
Moving back to Claude Kelly for a moment, as I mentioned earlier, he's also done several songs with the Backstreet Boys recently. A video of him talking about them was posted, but it's since been set to private. In it, though, he mentions "Bye Bye Love" (an up-tempo club-friendly song which features the line "I think I want to stay single, so bye bye love," as revealed earlier), "Don't Try This At Home" (which they sang a cappella at a sound check; it's a "heartbreak record"), and "What I Know Now" (he calls it a "pop urban hybrid;" listen to a non-BSB featuring demo here). He's also working with Wynter Gordon and, somewhat surprisingly, American Idol's Jason Castro.
Ryan Laubscher, the main man behind Alex Roots, has clips of demos for several artists on his official site (click on "Music"). The most noteworthy ones in terms of artist names that I hadn't previously heard elsewhere are Amy Pearson's "Contagious," the title track from her second album (it's more upbeat and electro/dance than I was expecting); Tina Barrett's (formerly of S Club 7) "I'll Be Your Woman;" Alex Roots's "Prisoner" (which sounds like it could potentially be epic in its final form), and Christophe Willem's "Si je tombais" (there's a Pixie song, too, but the full version of that has been on his MySpace, and I think it might just be a demo available for purchase).
Fred Ball of Pleasure (see: his work with Bertine Zetlitz, his producer project Pleasure's "Out Of Love") has done "forthcoming" work with Sophie Ellis-Bextor (that he'd co-written a song with Ina Wroldsen, lately of work with the Saturdays, called "Synchronized" was already known, so this could be referring just to that or to more), Little Boots (not sure whether it's songs we've already heard or not), and Paloma Faith (whose name is popping up all over the place).
Speaking of Ina Wroldsen (as mentioned above, she was the glue that held the Saturdays together in terms of songwriting), I only just found out that she co-wrote the song Lucas Secon (who also co-wrote it) has had listed as Pixie Lott's second single for ages, before we even found out what the first single was, "Gravity." Her recent work also includes a song for Lindsay Lohan called "Stuck" (though given the limbo that project's in, I wouldn't hold your breath to hear it), songs for Leona Lewis called "Thank You Thank You" and "Your Heart," a song for Kat De Luna called "Break Me," and a song for Hayden Panettiere called "Top Up."
Xenomania (Girls Aloud) are keeping busy, with news coming out over the past month that they'll be working with Leona Lewis, and Shayne Ward, both of whom are British X Factor winners.
The most recent X Factor winner, Alexandra Burke (pictured), appears to be working with some big names for her debut album: RedOne (Darin's "Step Up," Lady GaGa's "Just Dance") Stargate (Beyoncé's "Irreplaceable," Rihanna's "Don't Stop The Music"), Brian Kennedy (Rihanna's "Disturbia," Chris Brown's "Forever") Timbaland (Nelly Furtado's "Maneater," Justin Timberlake's "SexyBack;" possibly just met, but maybe worked with), the Freemasons (remixes of Beyoncé songs, Kylie Minogue's "The One"), Claude Kelly, Savan Kotecha (Britney Spears's "If U Seek Amy," Shayne Ward's "No U Hang Up"), Soulshock & Karlin (Alesha Dixon's "Breath Slow"), and probably some people I've left out. In other words: big budget, brand name songwriters--taking Alexandra to major international success is obviously what her management is aiming for.Do you remember the brilliant Dolly Rockers' song "How Did I End Up With You?" I posted a week ago? Popjustice wrote about it shortly after (and posted a clip of the studio version) and revealed (well, clued me in) that the songwriter behind it and the majority of the project is Ray Hedges.
On the subject of girl bands promoted on PopJustice, Girls Can't Catch's debut single "Keep Your Head Up" is written and produced by Chris Braide (the Saturdays' "Chasing Lights," D-Side's "Invisible"). The live version has shown the song so have a lot of potential, but the clips of the studio version we've heard so far are lacking punch; they sound like demos. Hopefully there's still time to improve the production on them.
I'm sure I forgot something I meant to mention, but that'll do for now.
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