Showing posts with label Margaret Berger. Show all posts
Showing posts with label Margaret Berger. Show all posts

Talkin' fantasy right to my face

Newsbreak:

Xenomania News pointed out that several songs from Jessie Malakouti's time at Xenomania leaked recently. The best news about this fact? We finally get to hear the full studio recording of "Who's That Man." Though I'd rather have the opportunity to pay for the full quality version, with Jessie moved on to her Jessie and the Toy Boys project, it seemed unlikely we'd ever hear it, making this is something of a relief.



Magnus Carlsson has a new single coming out. It's called "The Best In Me" and is probably produced by Pitchline (based on how much he's worked with them and the fact that it's got a Pitchline remix). The cover can be viewed here, while the tracklist seems to be "The Best In Me," a solo version of "Crying At The Discotheque" (eek), "Feel You (Ruff & Jam Radio Edit)," and an extended remix by Pitchline of "The Best In Me."

On the "I'm way behind in reporting this" front, Nadine Coyle's debut single is "Insatiable," written by her and Guy Chambers. It's apparently not a ballad and bears a resemblance to the Bangles, though the latter is a comparison from the Sun so take it with a grain of salt. Fingers crossed--I really want this solo project to live up to Nadine's potential. Fellow Girls Aloud member Cheryl Cole's lead single for her second album is called "Promise This;" there's a low quality clip here, but I'll need to hear at least the chorus to know for sure what to make of it. Speaking of Girls Aloud, I don't think I've mentioned here yet that Luciana Caporaso reported she was writing songs with Sarah Harding. As I've said elsewhere, that seems like it could be a good match; Luciana's punky pop-dance work might be a good way to channel Sarah's apparent love of rock and sometimes shouty vocals (and Sarah's solo Xenomania songs aren't a million miles away from Portobella songs like "Meet Me At The Y Bar" or Kylie's Luciana-penned "Cupid Boy").

The music video for Kylie Minogue's joy-inducing "Get Outta My Way," one of the songs of the year, is out. Floor choreography! Chair choreography! Actually, the choreography is nowhere near the star of the show--that's got to go to these moments. I usually try to hold the belief that everyone has a perfect right to like and dislike what they want, but if you don't enjoy "Get Outta My Way," it's hard to believe you like music.

Margaret Berger has posted some pictures from a recent photoshoot on her Facebook page, as well as stated her new single will be out this fall (maybe as early as September, but I may have misunderstood what she was referring to). We were told earlier to expect it as a spring/summer single so there could understandably be some skepticism, but hopefully we'll have new Margaret music soon. Now, if only Bertine Zetlitz would give us a release date...

a1's new album, Waiting For Daylight, is out October 11 in Norway. That's not news. What is news--or news-ish, anyway--is that you can see a tiny picture of the cover here.

On the subject of albums going to be released in Norway, Melodi Grand Prix 2010 contestant Bjørn Johan Muri's album, Airwaves, comes out September 13. The tracklist and cover are here.

Swedish Stereo broke the new about the tracklist and cover for Ola's third album, out September 15; you can view them here. At ten tracks, four of which are already available for purchase, it's a short album, but hopefully it's got the gems he's capable of being a vehicle for.

The summery new single from British boyband JLS, "Ay Mama" (which features Shontelle), sounds kind of nice, based on a live performance of it.

Alcazar are featured on an Anders Hansson/Sharon Vaughn song on the new Same Difference album. Details at Scandipop.

Time for you to shine

Do you remember former A*Teens' member Sara's Sara Love project? It's been abandoned, but at least it left us the great trashy urban-electro-pop-R&B "Glamour Bitch."



Had Sara not abandoned her Sara Love identity for an acoustic singer-songwriter sound, I can imagine Swedish singer Anniela's new single "Strip-teaser" sounds like something Sara might have done. It's not yet out, but you can listen to a clip of it here. The song was released earlier by Greek group Crush5, but this version sounds like it will be much better.

This post has been sitting in draft for a few days now, so I've been scooped by several other blogs when it comes to several artists. Kimberly Cole is one of them. Check out The Beat Review's write-up of this American singer's music. "Superstar (Smash It)" is the song I should be most drawn to, given that it comes from the school of modern electro-influenced female solo artist pop, but I'm surprisingly drawn to several of her more mid-tempo songs even more.

Also on the scooped front: Haffi Haff (check out Scandipop's write-up and, while you're over there, the Velvet interview, too). It's probably been far too long since I last wrote about a song from Iceland. If you watched the country's national final in 2008, you might have seen Haffi Haff participating with "The Wiggle Song," an electro-squiggly song which, though interesting in theory, wasn't as good as Eurobandið's "Fullkomið líf." He's back now with some image revamping (the emo hair has been ditched) and a song written by the same man who wrote the song that beat him back in 2008--Örlygur "Öggi" Smári, maker of Iceland's best dance-pop (he's also responsible for Páll Óskar's successful comeback in 2007)--and Malta's Gerard James Borg (of many Maltese national final entries). If you were disappointed that Öggi set aside dance-pop in favor of pop-rock in this year's national final, you might be extra-pleased to hear Haffi Haff's "Give Me Sexy," which is electro-dance-pop that is schlager-fan friendly but not schlager and with just a bit of (cheesy) edge to it.

Margaret Berger, the Norwegian singer of brilliant electronic songs like "Samantha" (epic), "Will You Remember Me Tomorrow" (musical electro sunshine, even if not lyrically so), and "Robot Song" (which many have rightly pointed out Röyksopp and Robyn's "The Girl And The Robot" bears similarities in concept to) has a potential new single, "Lost In London," that might be coming out this fall (news from Popjustice and Margaret's MySpace). Great news. Now, if only Linda Sundblad would give us any sort of new music update...and Selma, too, if I'm really dreaming...

Don't Stop The Pop recently interiewed Swedish pop princesses Agnes and Rosanna; the interviews are worth your time.

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