We're in the thick of Melodifestival season, and what am I spending my free time doing? Guessing Melodifestival rejects from this year.
It's a pretty fun game, even if one I'm not particularly good at. It is pretty early in the year, though, so we might not have heard many of them yet. Some we might not hear at all until another Melodifestival, if ever.
The ones I've got (well, am guessing) so far (all of these made it past at least the preliminary submission stage and appear on the list SVT released of the rejects), though obviously the artists who ended up performing them aren't necessarily the ones who would have performed them in the contest:
Trine Jepsen, "I'll Never Fall In Love Again": this schlagery song may not have done too well in Denmark's national final, but I still really like it. The songwriters are Swedish (or at least some of them are) and the song was originally listed in press releases as "I Never Fall In Love Again," the same title as one of the songs on SVT's list.
Neo, "Born To This World": interesting idea, this (I presume the "Born To This World" SVT listed was this one both because the title isn't incredibly common and the song is only a few seconds longer than three minutes)--I wonder if Neo, sometimes the purveyor of '60s/'70s falsetto pop and sometimes electronic pop ranging from BWO to Evan, would have ended up this song if it had been chosen for Melodifestivalen? It's good and catchy, but "Higher" and "Flower Power Supergirl" both get me dancing more (and I've got a thing for "Play The Song," too). Speaking of "Higher," there was a Melodifestival reject with that title, too, but that's a far more common title (and the song length isn't nearly so perfect, though obviously that can be changed), so it's probably a coincidence.
Sara Löfgren, "Glöd": former Fame Factory contestant Sara was so close to making her second appearance in Melodifestivalen, as this song really was going to be sung by her. Instead, "Glöd" made it to the final round of the song selection but no further, and instead had to settle for being released as a single by Sara (at least, I think it was released as a single--I definitely heard it on the radio, but I'm not sure if it ever got a commercial release).
Anorah, "Never Heard Of Him": it's probably for the best that this catchy attitude-filled semi-narrative pop-rock song about getting walked in on while you're in the middle of cheating didn't make it into the contest since it would never have fit in (and if it had qualified and someone other than Anorah had performed it, I'm picturing a performance we all would have remembered in the way we remember The Nicole's performance). It's a shame, though, that no one understands what I'm referencing when I quote it...it's got more than its share of...shall we say...memorable lines.
You wonder
Why my skirt
Is turned backwards inside out
I don't know but
Ohh, I've got some slippery floors
The wind's pretty strong outdoors
I fell and my skirt just kind of flipped this way I guess
Alex mentioned that Johan Krafman's songs were submitted to and rejected from Melodifestivalen, too, though I'm not sure which that's true for (presumably "Disarmed," but I don't know).
If you've got any guesses or corrections, I'd love to hear them. View the lists of the top 116 and the finalists for yourselves.
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Showing posts with label Trine Jepsen. Show all posts
Showing posts with label Trine Jepsen. Show all posts
It's my time tonight, it's my time, it's my time, my moment, I'm not gonna let go of it, my time, it's my time, and I'll stand proud
Yes! Well done, Finland.
I've endorsed "Lose Control" by Waldo's People before, and have been strongly behind this whole comeback of theirs since the first time I heard "Back Again"--it's as if they've taken my favorite of their old songs, "1000 Ways," as the jumping off point for their new and even poppier material. If Alcazar were Eurodance with guitar riffs, "1000 Ways" is what I always thought they'd sound like, and the reincarnated Waldo's People is living up to that. "Lose Control" is great dance-pop, like the '90's style but with the production values of today.
It wasn't Finland's national final I chose to watch, though (well, I couldn't--the video web stream only worked for people in Finland)--that was Denmark's final, which was generally a pretty enjoyable show. When did Denmark's final become such a...disco? The winning song, Brinck's "Believe Again," was co-written by Ronan Keating and sounds like it, but the number of up-tempo schlager, '80's pop, and electronic pop songs was so refreshing. Most of the talk will be about Hera Björk's "Someday," a classy schlager song well-written by some true Eurovision fans and well sung by Hera; it came close to winning, making it through all the various rounds until the final one, where "Believe Again" forced it into second place. If I'm being picky, the ballad opening of the song lasts a bit long for my personal taste, but it's a real shame "Someday" didn't win--a great schlager song like that would've been very welcome at Eurovision, at least for me. Still, second is a great achievement, something she and the writers should be proud of. Watch out for the "sorrow! There has been sorrow!" bit and the key change, complete with (of course!) pyrotechnics. If you're a schlager lover, just try not to go into meltdown.
I wonder if I'm alone, though, in feeling that girl group Sukkerchok's song "Det' Det" impressed me a lot more live than I was expecting it to. In its studio version, a lot of its light '80's melodic loveliness is lost, but on stage the song came alive musically in a way I never expected it to (I think the guitars must have been further back in the live mix, allowing the synths and vocal melody to stand out more, but that's not the only reason). It starts off like it's going to be "Hot N Cold" part two, but then completely changes up for the chorus. I was glad to see them make it through to the second stage of the competition (where they faced off against "Someday" and lost)--it was one of those experiences where you can feel yourself falling in total love with the song and the group as they go, and even the ill-advised hip-hop styling of one member couldn't stop that.
Trine Jepsen's schlager "I'll Never Fall In Love Again" was great, too, but something about the staging felt underwhelming. The song will still get play from me, though. In fact, for almost all of the Danish songs, there was something positive I felt I took away from the experience.
I chose to watch the Denmark final over Norway's second semifinal, so I still haven't caught up on that yet (I would have if the stream over at NRK wasn't mysteriously missing audio when I try to play the archived show).
Romania chose a harmless catchy danceable pop track, Elena Gheorge's "Balkan Girls," as its entry. There's not much more to say about it at this point in time--it could be disposable with time or its catchiness could give it a bit more enduring power (right now I'm definitely leaning towards the former). I've never thought of Romania as part of the Balkans, though.
Meanwhile, while three countries were choosing tracks that at least have some redeeming value to them, the UK was presented with this...
...with "this" being Andrew Lloyd Webber and Diane Warren making what sounds like the worst Idol winner's song ever. Granted, Eurovision songs aren't known for lyrical complexity and love some repetition, but put that (lack of) melody and those words together and the first half of that chorus is just intolerable. You all can keep Jade, that's fine, but is it really too late to swap out the song?
I've endorsed "Lose Control" by Waldo's People before, and have been strongly behind this whole comeback of theirs since the first time I heard "Back Again"--it's as if they've taken my favorite of their old songs, "1000 Ways," as the jumping off point for their new and even poppier material. If Alcazar were Eurodance with guitar riffs, "1000 Ways" is what I always thought they'd sound like, and the reincarnated Waldo's People is living up to that. "Lose Control" is great dance-pop, like the '90's style but with the production values of today.
It wasn't Finland's national final I chose to watch, though (well, I couldn't--the video web stream only worked for people in Finland)--that was Denmark's final, which was generally a pretty enjoyable show. When did Denmark's final become such a...disco? The winning song, Brinck's "Believe Again," was co-written by Ronan Keating and sounds like it, but the number of up-tempo schlager, '80's pop, and electronic pop songs was so refreshing. Most of the talk will be about Hera Björk's "Someday," a classy schlager song well-written by some true Eurovision fans and well sung by Hera; it came close to winning, making it through all the various rounds until the final one, where "Believe Again" forced it into second place. If I'm being picky, the ballad opening of the song lasts a bit long for my personal taste, but it's a real shame "Someday" didn't win--a great schlager song like that would've been very welcome at Eurovision, at least for me. Still, second is a great achievement, something she and the writers should be proud of. Watch out for the "sorrow! There has been sorrow!" bit and the key change, complete with (of course!) pyrotechnics. If you're a schlager lover, just try not to go into meltdown.
I wonder if I'm alone, though, in feeling that girl group Sukkerchok's song "Det' Det" impressed me a lot more live than I was expecting it to. In its studio version, a lot of its light '80's melodic loveliness is lost, but on stage the song came alive musically in a way I never expected it to (I think the guitars must have been further back in the live mix, allowing the synths and vocal melody to stand out more, but that's not the only reason). It starts off like it's going to be "Hot N Cold" part two, but then completely changes up for the chorus. I was glad to see them make it through to the second stage of the competition (where they faced off against "Someday" and lost)--it was one of those experiences where you can feel yourself falling in total love with the song and the group as they go, and even the ill-advised hip-hop styling of one member couldn't stop that.
Trine Jepsen's schlager "I'll Never Fall In Love Again" was great, too, but something about the staging felt underwhelming. The song will still get play from me, though. In fact, for almost all of the Danish songs, there was something positive I felt I took away from the experience.
I chose to watch the Denmark final over Norway's second semifinal, so I still haven't caught up on that yet (I would have if the stream over at NRK wasn't mysteriously missing audio when I try to play the archived show).
Romania chose a harmless catchy danceable pop track, Elena Gheorge's "Balkan Girls," as its entry. There's not much more to say about it at this point in time--it could be disposable with time or its catchiness could give it a bit more enduring power (right now I'm definitely leaning towards the former). I've never thought of Romania as part of the Balkans, though.
Meanwhile, while three countries were choosing tracks that at least have some redeeming value to them, the UK was presented with this...
...with "this" being Andrew Lloyd Webber and Diane Warren making what sounds like the worst Idol winner's song ever. Granted, Eurovision songs aren't known for lyrical complexity and love some repetition, but put that (lack of) melody and those words together and the first half of that chorus is just intolerable. You all can keep Jade, that's fine, but is it really too late to swap out the song?
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